Gemini – Mythology

The ancient Babylonians referred to the constellation as Mastabba Galgal, the ‘Great Twins’, and commemorated within it the mythical friendship of the demi-god Gilgamesh and his mortal friend Enkidu, who fought against the gods in twelve adventures. Stricken by grief at Enkidu’s death, Gilgamesh pursued a quest to ensure his own immortality.

The ancient Greek tale of the egg-born brothers Castor and Pollux, born to their mother Leda after she was seduced by Zeus in the guise of a swan. Their consummation, on the same night as Leda lay with her husband, Sparta’s King Tyndareus, resulted in the birth of immortal Pollux, who possessed great physical strength, and mortal Castor who possessed great ingenuity. Upon Castor’s death Pollux begged Zeus to let him share his own immortality with his twin to keep them together and they were transformed into the Gemini constellation.

The classical myth is said to demonstrate the mutual reliance of conscious reasoning and unconscious belief to indicate “acute polarisation of the spiritual and material, alternation between the extremes of rational logic and instinctive belief, and the quest to reconcile all contradictions in a central threshold where reason and belief, intellect and emotion, masculinity and femininity, merge into one”. Juan Eduardo Cirlot also reports that the Gemini motif is essentially a symbol of opposites, inversions and alternating contradictions between life and death and positives and negatives. Cirlot points out that a study of the Gemini-myth in megalithic culture shows that it has two tendencies: “one white and the other black; one creates, the other destroys; both these characteristics are indicated by the arms of each of the Twins, which in landscape symbolism are identical with the river of youth and the river of death

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